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Profile

Tomomichi Nakauchi

Born in Kochi and based in Hiroshima, Tomomichi Nakauchi is a Nihonga painter working primarily in mineral pigments on silk, depicting animals and flowering plants in soft, luminous tones. Associate member of the Japan Art Institute.

Biography

1979: Born in Kochi Prefecture, Japan
1998: Graduated from Oko High School, Kochi
2002: Graduated from Hiroshima City University, Faculty of Arts, majoring in Nihonga (Japanese-style painting)
2003: Selected, 6th Kakogawa “River” Painting Grand Prize Exhibition
2009: Selected, Shohaku Bird-and-Flower Painting Exhibition (also ’13) / Solo exhibition, Gallery SORA, Hiroshima (also ’10, ’12)
2010: Selected, Maeda Seison Nihonga Grand Prize Exhibition / Hiroshima City University Selected Nihonga Exhibition, Yachiyo-no-Oka Museum
2014: Solo exhibition “orchestra,” Ancharette, Hiroshima / Began dedicating annual zodiac paintings to Shirasaki Hachimangu Shrine, Iwakuni (through ’25)
2015: Bijutsu Tokusenkai, Iwataya Mitsukoshi, Fukuoka / Tanabata Exhibition, Fujiiya Miyajima, Hiroshima / “Soresore no Keshiki,” Shinjuku Takashimaya Art Gallery, Tokyo
2016: “A Sign of Nihonga,” Galerie Rutin, Tokyo (also ’17, ’18) / Flag of the West, Sato Museum of Art & Morita Gallery, Tokyo / Watercolor solo exhibition “reminiscence,” Gallery Tsuki, Hiroshima
2017: Solo exhibition, Fukuya Hatchobori, Hiroshima (also ’22, ’25)
2018: Selected, Spring Inten Exhibition (also ’20, ’21, ’22, ’23, ’24)
2019: Excellence Award, 7th Ouka Prize Exhibition, Sato Sakura Museum, Tokyo
2020: Selected, Inten — The Japan Art Institute Exhibition (also ’22, ’23, ’24, ’25)
2021: “Shinnen Sousou Exhibition,” Galerie Miyasaka, Tokyo (also ’22–’26)
2022: Nihonga Encouragement Award, Hiroshima Shinkin Bank (FY2021)
Currently: Associate Member (In’yu), The Japan Art Institute
Instructor, Nihonga class “Saki no Kai” (Hiroshima) / Instructor, Yushin Watercolor Class (Iwakuni)

Artist Statement

When I look into an animal's eyes, I feel that it is seeing something humans cannot see — perhaps a story from a world we don't know, perhaps something within the human heart. Through the act of painting, I want to catch a glimpse of that. I bring the same gaze to living creatures, plants, and landscapes as well.

I don't think of Nihonga as a matter of building up thick layers of pigment. Drawn to the soft luminosity of silk, I try to capture the freshness of life with as few brushstrokes as possible.

Cherishing quiet air and soft light, I hope viewers can sense the presence of a story onto which they might layer their own memories and emotions.